Fortepianos after Anton Walter
Walter ca. 1785. A copy of the early piano in the Germanisches Nationalmuseum, Nürnberg, formerly in the Rück-collection, MIR1098.
FF-f3. Handstop for the moderator. The original has divided handstops for the dampers and no knee levers. I offer divided knee levers instead.
Walter ca. 1802. A copy of the yew veneered piano in the Germanisches Nationalmuseum, Nürnberg, formerly in the Neupert-collection, MINe109. An instrument of a type Walter made between 1797 and 1803.
FF-g3. Two kneelevers for the dampers and the moderator.
Walter ca. 1805. A copy of an instrument by Walter und Sohn, privately owned in Spain.
FF-c4. Two kneelevers for the dampers and the moderator.
Copy of the instrument by Straube, Berlin 1783, Collection Haags Gemeentemuseum.
Fret-free. FF-f3.
A copy of my original Graf from 1825. CC-f4. Four pedals, from left to right: keyboard shift to 2 strings, bassoon, moderator, dampers.
1785 Walter copies for the Conservatoire of Bayonne and for Matthew Bengtson, Philadelphia
Walter ca. 1802 copies for Arthur Schoonderwoerd, Montfaucon and the Koninklijk Conservatorium, Den Haag.
Walter und Sohn copies for Walewein Witten, Karlsruhe and myself.
Fortepiano after Nannette Streicher
A copy of an instrument by Nannette Streicher 1814, opus 1060, collection Württembergisches Landesmusum, Stuttgart.
FF-f4. Four pedals: keyboard shift to two strings, bassoon, moderator, dampers.
Streicher copy for Pascal Herpin, Montpellier
Fortepiano after Conrad Graf
Graf copy for Chris Seed, Winchester.
Clavichord after Straube
Fortepiano after Jean André Stein
A copy of an instrument by Stein, 1783, collection Grassimuseum, Leipzig, inv. nr. 171.
FF-f3. Kneelever for the dampers.
Copy 2012, Institut Européen de Musique Ancienne, Vannes, France.
